Soyini Crenshaw (Actress/Playwright) was born and raised in Brooklyn, NY. She received her MFA from Actors Studio Drama School at Pace University. Soyini has performed in Colored People’s Time with the Negro Ensemble Company, The Colored Museum with Bill Johnson/Uptown Productions, JackPot with the Harlem Camerata, and most recently in The Prophet: The Story of Nat Turner, directed by Michele Hawkins-Jones. Rememberin’ Me was first presented under the working title Stage Play in 2008 at Sista’s Place.

Sandra A. Daley-Sharif (Dramaturg/Director) has earned her merits over twenty years in the arts as a professional actress, director, playwright, dramaturg, and producer. She is the Producing Artistic Director of Liberation Theatre Company and a founding member of HARLEM9, an alliance of black theatre producers (winner of 2014 Obie Award for their annual production 48 Hours in… Harlem.) Sandra received many honors for her work, including the Josephine Abady Award and honorable mention for her play Katrina and Sandy for the EstroGenius Festival. She was named a 2013 NYFA Fellowship Finalist for Playwriting. She facilitates Black Playwrights’ Group and is a member New Perspectives Theater’s Women’s Work Project, where her one-act Jake was produced in 2012.

Kelvyn Bell (Composer) also works as a guitarist, producer, music director and educator. Originally from St. Louis, MO, Kelvyn has created a 35 year legacy as one of New York’s extremely innovative guitarist/composer, highly sought in New York’s theater, film and music industries. His raw intuitive style granted him founding membership of Steve Coleman’s Five Elements, Arthur Blythe’s Jazz Quintet, Joe Bowie’s Defunkt and The Black Rock Coalition. He also leads the avant-funk band KELVYNATOR. His film credits include Freedom and Black Nativity. He was awarded the 2008 AUDELCO Award for Outstanding Musical Direction for Archbishop Supreme Tartuffe. Kelvyn served as Composer-In-Residence for The Classical Theatre of Harlem and continues to work in regional theater. As a member of Craig Harris’ Nation of Imagination, Bell collaborated with the legendary poet Amiri Baraka; he also composed music and arrangements for Quincy Troupe, Seku Sundiata, and Allison Hedge Coke. He is currently working on a solo acoustic guitar project documenting the rich and diverse heritage of his Midwest upbringing and worldwide travels.

Kim Weston-Moran (Executive Producer) is a founder and Producing Artistic Director of POTPOURRI! World Women Works Series (PWWWS). She works as an actress, producer, educator, and director. As an actress, she has shared the stage with Minnie Gentry, Bill Gunn, Roxie Roker, Gylan Kain, Phylicia Rashad, Patricia O’Connell, and many other notable thespians. She received an AUDELCO “Viv” Award for the lead performance in Don’t Explain; the First Annual Going to the River Award from Ensemble Studio Theater for her commitment to theater arts; and ART-NY’s 2009 DeWitt Stern Local Hero Award. Her recent collaborations in directing / dramaturgy include Panther Woman and Men Say The Darndest Things. Producing credits include: Eclectic Tuesday Nites; benefits for Fire Patrol No 5 Art Gallery; Zebra, a film about growing up biracial; We In Harlem, Baby!; and Another Side of a King, in association with Maysles Film Institute and Doc Watchers Inc.

Aixa Kendrick (Producer) honed her directorial and producer chops at City College of New York Theater Program and Lincoln Center’s Directors Lab. She co-founded and co-produced City Peeps, an experimental lab for student and alumni playwright/screenwriters. Her company Rainbow & Thunderbolts MultiMedia, Inc. (which she co-founded with Leonardo Benzant) is a nonprofit organization providing opportunities to collaborate and present original works, such as short film Muela (2004, Official Selection at LA International Short Film Festival) and Black Circus (a multimedia theatrical project with video, puppetry, couture costuming, live music, digital soundscape, text and dance.) Kendrick is currently the Creative Director for Unveiled Unlocked Collective’s ongoing interactive It’s Just Human Performance Project, which debuted at Harlem Week 2015.