Under Exposed Koryn Ann Wicks -PLUS- The Space We Make -PLUS- KitchenSink Collective/ Claire Baum -PLUS- Kayla Harley

About This Show

TRIPD
Koryn Ann Wicks

A dance piece driven by spontaneous composition that imagines the human body as a three-legged creature.

With a strong concept at the heart of the piece combined with striking visual tableaus, the dancers frequently used a combination of three contact points on the floor, two hands one foot, two feet and an elbow… The moody, group work breathed an apocalyptic vibe. – Cult Montreal

A score for music and dance driven by spontaneous composition, TRIPD stages the evolution of the body as a tripedal organism. TRIPD’s ensemble is cast through Eunoia Dance Ex’s free outreach program. The piece was created by Koryn Ann Wicks in collaboration with composer Jonah Rosenberg, and dancers Alex Jenkins and Audrey Stanley.

dolores|stroke
The Space We Make

The Space We Make co-directors foray into the land of the Grail Kingdom. It is a place where we go to seek our destiny, to wound, to become kings and queens, – where we are lauded and disparaged and ultimately define ourselves by the great feminine force of the world around us. Somewhere in the midst of this land is Delores Stroke. We recognize her through a broken lens, as if looking into a mirror fogged with the steam of our own desire. We try to own her, hurt her, protect her from harm. We lose ourselves and lay in confusion. Run, run, run – someone calls from a great distance. It is faint but we hear the call, from the one we know not and know most, and we must heed the command.

Magnificent Beast
KitchenSink Collective/ Claire Baum

Magnificent Beast is a quartet for female dancers. It explores the incredible muscularity and seeming docility of skates and other cartilaginous fish that glide through ocean waters. The movement examines the ray’s relationship to its environment: how the waves and currents affect its body and how it propels itself through underwater landscapes. As the piece progresses, the dancers glide, swim, and “fly” in packs and alone, transforming a horizontal creatures movements to a vertical plane.

…run on sentences of I miss you
Kayla Harley

The inspiration behind this work comes from the personal encounter with heartbreak. Dancer-choreographer Kayla Harley tells the story of brokenness, relives the moments and wrestles with the possibility of his return – or, even worse, hers. Harley uses creative process as a healing method. She finds translating emotions into movement give her the freedom to revisit the past without feeling ashamed or resentful.

About the Artists

Eunoia Dance Ex (E.D.E.), led by Koryn Ann Wicks, is a pop-up dance company, dedicated to fostering mutually beneficial relationships between young dancers and emerging dance companies. E.D.E.’s mission is to create work collaboratively and expand audiences for dance by incorporating unique outreach initiatives in its work. E.D.E.’s work is thoughtful and inquisitive but grounded in a virtuosic physicality.

Koryn Ann Wicks studied dance at the Ailey School. She has performed with Armitage Gone!, Transitheart Productions, and Teresa Fellion/Bodystories. She has shown work in New York and Montreal and will begin her MFA this fall at University of California, Irvine.

THE SPACE WE MAKE is a performance collective that creates work outside of traditional theater settings. These multi-media performances incorporate input from audiences, communities, and the spaces in which members build and perform. Co-founded and directed by writer/musician Caitlin Scholl & choreographer/dancer Simon Thomas-Train, the group consists of a core roster of artists based in New York City and beyond.

Claire Baum is originally from Portland, Oregon. She graduated from Bard College with a B.A. in dance, and a concentration in human rights and African studies. At Bard, she had the pleasure of working with Aileen Passloff, Maria Simpson, Peggy Florin, Leah Cox, and members of the Bill T. Jones/ Arnie Zane Dance Company. Baum has performed and choreographed nationally and internationally, creating original solo and collaborative dance works in Ghana, West Africa, Jamaica, and New York. Claire co-founded KitchenSink Collective in 2012 and greatly appreciates all of the opportunities this collective has provided. She currently works at The Field.

Kayla Harley is a dancer, choreographer, and writer. She began her dance training at Suitland High School for the Visual/Performing Arts and trained at the Kirov Academy of Ballet, Alvin Ailey American Dance Theatre, and Dance Theatre of Harlem Kennedy Center Residency. Having graduated from Dominican University of California Alonzo King’s LINES Ballet with BFA in Dance, Kayla relocated to Chicago as a 2013 Season Apprentice for River North Dance Chicago Company. She was a finalist the NFAA YoungArts Miami week in 2009 and won the Level II Award for Modern Dance along with a scholarship for the following year. She performed as Tantomile in the TONY Award-winning Broadway Show CATS with Paramount Theatre of Aurora and worked with such choreographers as Sidra Bell, Francesca Harper, Maurya Kerr Gregory Dawson, Darrell Grand Moultrie, Kevin Thomas and more.

Tuesday, Sept. 15 at 7:30pm

General Admission
$12 in advance
$15 at the door

Students / Seniors
$10

Estimated Runtime
80 minutes

share £

Credits

TRIPD
Dancer/ asst. choreographer
Alex Jenkins
Dancer/ asst. choreographer
Audrey Stanley
Musician/Composer
Jonah Rosenberg
Choreographer
Koryn Ann Wicks
Photo Credit (bottom)
CA McMullen

delores|stroke
Created by
Caitlin Scholl & Simon Thomas-Train
In collaboration with
Christina Jane Robson, Philippe Bronchtein, Caity Richards, Laurel Grace Snyder & Victoria Wizerbowski
Photo Credit (top)

Christina Robson

Magnificent Beast
Performed by
Katherine Gore- Lanzetta, Caroline Martin, Laura Neese, Claire Baum
Photo Credit (middle)

Bryan Winter

…run on sentences of I miss you
Choreographed and performed by

Kayla Harley
In collaboration with
Music Engineer, DJ

Links