Emma S. Kimball is a Brooklyn-based dancetheater artist originally from Colorado. She currently works with The Plaboratory and Theater Reconstruction Ensemble and previously worked with Built for Collapse, at The O’Neill, and in the 2015 Core Company. Select original works: Peaches (Stained Glass Experience, etc.), Bulls (Outlet Dance Project) and collaborations with spoken word poet Noah Kaplan and storyteller Tim Manley. Additional directing/choreography: The Evil Dead: The Musical (University Theater), Orestes 2.0 by Chuck Mee (Studio Theater) and a site-specific Thom Pain (based on nothing) by Will Eno (SSBKLYN). Sometimes she performs, sound designs and/or makes films.

Amelia Parenteau is a playwright, journalist, and translator currently working at the French Institute Alliance Française. An alumna of Sarah Lawrence College, she has worked with TCG, Ping Chong & Company, The Lark and The Civilians in New York, and the Eugene O’Neill Theater Center in Connecticut. Productions: Liminal (2015, New York International Fringe Festival), America is Hard to See, Life Jacket Theatre Company (2016, IRT Theater). She is a member of the FENCE International Translation Network, and she has been published online in Asymptote Literary Magazine, Culturebot, Howlround, and Extended Play and in print in American Theatre Magazine.