In the Lounge I LOVE SEAN Sarah Einspanier and Morgan Green

About This Show

Three to three hundred women in pursuit of high ground between dreams, reality and reality TV. Rachel is pregnant but keeps forgetting; Shelley’s trying to get her shit together enough to make a casserole; and Jade just got back from The Bachelor but can’t remember his face. I LOVE SEAN wades through our cultural glut in search of something human.

About the Artists

Sarah Einspanier is a playwright from Dallas, Texas. Her plays include THE CONVENT OF PLEASURE (readings with Pipeline Theatre Company, Bookshop Workshops and the Drama League), I LOVE SEAN (upcoming residency with The Barn Arts Collective) and SPLAT GOES YOUR DAY (workshop with The Habitat, productions with Samuel French). She was a two-time finalist in the Samuel French OOB Short Play Festival. Sarah is a member of RADY&BLOOM collective playmaking, and an alumna of Pipeline Theatre Company’s 2015 PlayLab and Bookshop Workshops 2014 Writers Group. Upcoming development with The Tank. She holds a BA from the Northwestern University.

Morgan Green is a Brooklyn-based theater director and co-founder of New Saloon. Recent credits include Three Translations of Uncle Vanya at the Same Time at the Invisible Dog, I’m Miserable but Changes Scares Me by Milo Cramer, He Ate Quietly into the Wall by Ariel Stess, William Shakespeare’s Mom by Milo Cramer, and Cooking to me is Poetry by New Saloon. Morgan was a Robert Moss Directing Resident at Playwrights Horizons for the 2014-2015 season. She is an alumna of the 2013 Lincoln Center Directors Lab and was part of the 2012 Williamstown Theater Festival Directors Core. She is currently assistant directing for Pam MacKinnon on Amelie: A New Musical at the Berkeley Rep. She received her BA from Bard College and was awarded Ana Itelman Prize for Directing.

Thursday, Oct. 8 at 7:30pm

Free Admission

Estimated Runtime
45 minutes

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Credits

Written by
Sarah Einspanier

Directed by
Morgan Green

Choreographed by
Jessica Goldschmidt

Sound Design by
M. Florian Staab

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