Mehr Kaur is a director interested in devised and immersive theatre. She is currently spending the summer at Williamstown Theatre Festival in the directing corps, where she assists James MacDonald on the world premiere of The Chinese Room by Michael West. Kaur is a recent graduate of Smith College and has attended the National Theatre Institute at the Eugene O’Neill Theatre Center. Productions include WATER BY THR SPOONFUL by Quiara Alegría Hudes, staged in Northampton’s 460-seat Theatre 14, ORLANDO by Sarah Ruhl, and ALWAYS PLENTY OF LIGHT AT THE STARLIGHT ALL NIGHT STARLIGHT DINERA at NYC’s Fresh Fruit Festival 2016. Her adaptation Kultar’s Mime is currently touring to theatres and festivals across the US, Canada, India and UK including performances at British and Scottish Parliament and the 2015 Parliament of the World’s Religions.

Molly Bicks is a theater producer, director, writer, and actor. Bicks is an alumna of Sarah Lawrence College as well as The National Institute of Theater at The Eugene O’Neill Theater Center. At Sarah Lawrence College, she was the co-director of the theater company The Melancholy Players. She is now the artistic producing assistant at Exquisite Corpse Company, where she is currently assistant directing The Enchanted Realm of Rene Magritte. Recent projects include Romeo and Juliet produced by Women’s Naked Shakespeare, directed by Carsen Joenk (Performer), The Blackest Shore by Mark Schultz produced by the Melancholy Players (director), Gingiva by Richard Bucey, produced by Downstage Theater Company (Director),  Middletown by Will Eno produced by Sarah Lawrence Theater Department (A.D). Molly has produced numerous plays for the Melancholy Players including, Machinal by Sophie Treadwell, Boxes and Wemedge by Zac Lusck and Chris Aldrich, and Shakespeare’s Pericles.